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The mother tide goes out. And stays.
Sends me a text. Three emojis:
Yellow hand waving.
Palm tree.
Palm tree.
Fish rot on the desert floor, and the
Smell of old ashtrays
Fills my ears with the hollow
Wringing of gnarled hands.

The bloody moon sails away.
It’s me not you, and the
Hole in the sky still weeps sticky tears.
Come see, but the
Guests are mannikins
Trapped in their chairs forever.
No one does the dishes.

I tried to step off, once or twice
Eons ago, but the anguish of the
World left
Imprints in my doughy skin.
Held me fast.
Our scars might fit, I cry, but
Only the crows will listen.

Babies are the worst.
One blink and they've crashed the
Ship. Stepped onto a newsworthy plane.
Stopped answering their phone.
Jesus, Dad. It died. No big deal.
The tooth fairy skips your house, and
Dusty presents scream from the
Empty living room.



Garth lives in Portland, Oregon, with his super-genius sweetie-pie, three precocious grown children, and five enthusiastic chickens. His work has appeared in Clarkesworld Magazine, Beneath Ceaseless Skies, Bristol Noir, and other fine venues. He has an MA in Theoretical Mathematics and loves carving spoons, bicycling, and curling up with a good book.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
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