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Today I walk stalk. Pick up a rose petal,
pocket crumple its fuchsia. All of the jasmine is mine.
Wilting. The neighbors are stupid. They shaved off
the blooms of their sunrise lantana so all of the monarchs
got bored then left. I stalk walk and hunger curdles
like a middle finger on the ramp, merging into traffic.
I miss it. The throaty curses, the smog curled into a tongue-like cup.
I used to eat it like a fist. On the news, they said pregnant people
have to give birth alone. These lone portals of agony and affirmation.
I walk stalk the hospital right off the freeway. The sign painted neon
underneath my eyes. My tongue, folded neatly inside my mask.
None of the birthers knew all those times my winged shadow
pressed against their windows. The nurses, these pinsan of mine,
they knew. The names they called me (you know them): baby thief. Murderess.
I’m not here for that. Not today, at least. I’ve tunneled my hunger
down deep. Here to slow dance with you. Here to prop your wings
up. Here to whistle a melody against the percussion
of intermittent fetal monitoring. Here to hear
you crack spring open, then tumble all of the seasons. I’m here.



Rachelle Cruz is the author of God’s Will for Monsters, which won an American Book Award and the Hillary Gravendyk Poetry Prize. She currently teaches Genre Fiction in the MFA program in Creative Writing at Western Colorado University.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
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By: Natasha King
Podcast read by: Jenna Hanchey
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