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For Tara Cloud Clark

it is your nose i notice first—you demon, you delicacy!—
(I’m something of a collector: eldritch artifacts, all that
your nose, a right wonder for my wunderkammer)
robustly moist, grave-soil-black, with that reciprocating twitch
for every trash pile, blossom’s bravado, bottom’s innuendo
a flagrant organ in full swoon, flaunting no preference
sensitive to the rancid, ecstatic at tenderness
your nostrils flaring/folding/flaring with tidal nuance
keen to sniff each invisible stitch of meaning:
whether categorical, imaginary, or subliminally intended

secondly—you stunner, you monster!—
it is your quills I clap eyes on—fine-frilled, outstanding!
deimatic display of sensitive silver, a collar
standing at dinosaurian attention
this is not your average were-hair, my bugbear
more like what a poet plucks for her pen, never mind your quivering
good thing she’s easily distractible, all dreamy at the moon
(your foe, your sorrow)
good thing she stopped humming out your name, greedy for attention
no idea you stood ready to behead her with your scimitar paw
she might have taken her handful right there
abandoned you, bare and bleeding, to jot down a verse
what then would be left for my necklace?

I save your scarlet heart for last—you lonebeast, lunewolf!—
your ardent heart: a top-shelf item, prize of my collection
we'll preserve it in a reliquary, gold-gilt, heart-shaped
a crystal windowpane winking glimpses at incarnadined flame:
your jewel, your red gem, molten and uncertain
surely you were hunted for this, once and again
surely they came after you with knives—steel and teeth by starlight
surely you were envied and hunted, harried and coveted
till you fled, scarred, scored, starving for your pack
obscuring your bright heart, silver quills, seeking nose
in domestic drudgery, cagey silences, lest you become
one more metaphor mounted on a wall,
trod upon as carpet, secreted in a cabinet,
turned into an instrument of poetry.



C. S. E. Cooney won the World Fantasy Award for Bone Swans in 2016 and the Rhysling Award for her poem "The Sea King's Second Bride" in 2011. Her collection Dark Breakers comes out from Mythic Delirium in February 2022, and her novel Saint Death’s Daughter two months later from Solaris.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
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2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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By: Natasha King
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