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Einstein once described his life as a series of attempts to free himself from the chains of the "merely personal." That's an interesting phrase: "merely personal." Does the personal deserve to be prefaced by the word "merely"? There's a sense in which that question lies at the heart of the divide between SF and mainstream fiction; SF readers routinely criticize mainstream fiction for focusing too tightly on the personal, while mainstream readers criticize SF for giving short shrift to the personal.

Which is the greater tragedy: the fall of an empire, or the end of your marriage? Is it more important to make a major scientific discovery, or to be a good parent to your child? It's a false dichotomy to say that fiction should only concern itself with one or the other; all of these issues are worthy subjects for fiction. Unfortunately, it can be hard to tell stories on a grand scale and an intimate scale simultaneously, and most fiction prioritizes one over the other. Science fiction has traditionally opted for the fall of empires and the scientific discoveries, but that preference is not intrinsic to the genre.

One of the writers who helped me realize that was Edward Bryant. The stories in his collection Particle Theory showed me that science could be used metaphorically to illuminate human experience, and that the personal could reinforce the "big ideas" rather than compete with them. I discovered him when I was in college, at the same time I first started reading writers like William Gibson and Gene Wolfe and John Crowley. They all expanded my ideas of what SF could do, but the one whose influence on my work is clearest is Bryant.


Read "Particle Theory," by Edward Bryant




Ted Chiang is the author of the collection Stories of Your Life and Others and, most recently, the novella The Lifecycle of Software Objects. His fiction has won the Hugo, Nebula, Sturgeon, and Locus awards.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
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2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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By: Natasha King
Podcast read by: Jenna Hanchey
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