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Let me ask you the big question, the difficult truth:
is godhood absent in this realm?
What it is like to find yourself away from Qīngchéng Pài,
transplanted from your temple and missing the persimmons in bloom?

You escaped the end of your sect, wandered across the sea
to survive the fate-rained slaughter. We changed incense sticks
for rosaries and talismans for bibles. Not the same
but not entirely lost.

I had a dream of you and me,
where we sat on bare stone with open meridians
Strangers in this place where the mud-splattered roads
could almost, almost be home, but are not.

You think that by now our spines could remain unyielding
when facing the stacks of maize uphill, the burros on the way.
You swapped your hanfu for huaraches and tried to fit in.
No less regal, your otherworldliness preserved in soul.

Did you leave behind in the mist-filled bamboo forest the meaning
of righteousness? And did you learn it in this new tongue?
When the brushes aren't steeped in ink and the strokes fall apart
at first touch, do you hold your peace?

I remember the truth of the sword as we drifted like spun
silk buds too young to be harvested at dawn. Today
you and me tend to the axolotls on chinampas;
the arc of your spine easily pressed like overripe plums. Exhausted

those seeds spread in this fertile soil will not bear
your name, though perhaps they’ll carry xiáyì in their bones,
the memories of righteousness in inkstone underfoot.
And their mouths will bear jade slips instead of tongues.



Tania Chen is a Chinese-Mexican queer writer. Their work was selected for Brave New Weird Anthology by Tenebrous Press, and has also appeared in various other places. They are a graduate of the Clarion West Novella Bootcamp workshop of 2021, Clarion West Workshop 2023, and a recipient of the HWA’s Dark Poetry Scholarship. Currently, they are assistant editor at Uncanny Magazine and can be found on Twitter @archistratego, at bluesky@archistratego and their website https://chentania.wordpress.com/
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
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