Size / / /

First, we perfected scent. Layered all together,
the stew of loam and rot and pine and wet,
dirt and moss and scat. We did not sanitize it.
Decay was essential, given that it marks life.

We filtered light carefully through lacy leaves
and brushy needles. We know from the Record
that sunlight dapples and moonlight pools.
We believe we have perfected the
stealthy, damp progress of fog.

Our young say change is essential in all systems,
but we do not know how to engineer the
proper chaos. Or beasts. Our squirrels chitter
at intervals, but not for mating or warning or
fearful response. For that we beg pardon.

In sound, we excel. May I say that without hubris?
From the chik-chik of insects deep within rotted
leaf-piles to the occasional howls of wolves,
our forests sound real. We are proud of the
real we have achieved.

From the Record, we know that men expected
terror just outside the golden circles of their
campfires. We currently research how we
might add risk to our creation. If there is no forest
without danger, then danger we must add.

We consider fantastical creatures for holidays
sacred to old faiths. In the meantime, we create
moods to enhance the visitor experience.
Dripping water and low light means melancholy.
Sunlight in a grove of warm-hued grass means joy.

We have not created perfection. I am told that
perfection is in fact undesirable. Whatever your
opinions, please share them with your docent,
for the Record. Nothing lasts forever.
Your impressions will be needed too.




Susan Carlson has lived all over the United States, but currently calls San Francisco home. When not writing or cat wrangling, she’s a reader, gamer, cook, and avid watcher of historical documentaries. This is her first published work. You can keep up with Susan at her blog, www.natterings.com.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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