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He is dying

to be a vegetarian, but his wife won't have it.

She slaps a steak, rare, on his plate.

He drools. Eat

she says. You can't fool me.

He desires her, but she won't let him

fuck her, afraid his dick might fall off.

He masturbates with forefinger and thumb.

She uses a vibrator, which one day

he finds in the john, and smells it,

then unzips, and smelling the plastic helps him along.

Everyone in bed but him, he flicks on a zombie movie.

These undead: stupid, bumbling, and their one-note

Brains. They eat brains, but need one, he thinks.

He starts to drool. Ashamed, he checks the fridge

and builds a salad: lettuce, onion, a slice

of eggplant, tomatoes, green pepper.

He can't watch the rest of the flick.

He switches to the weather channel. A blonde

is talking fast and waving her arms as she traces a front,

with high winds which will arrive

at the zombie's town soon.

The way the woman's breasts

hypnotize, the way clouds, wind, lines of latitude,

longitude, and words about barometric pressure

and dew point fall from her lips—it's poetry.

Of course, he unzips, and what the hell,

grabs it with his whole hand.

If it falls off, he won't have this problem

with desire anymore. Or wait. What about

the prostate? He needs info. No

encyclopedia, and the only computer's in his daughter's room.

He'll have to wait. As soon as he stops

worrying, he's staring again at the forecaster—

his private love firing on all pixels,

nothing falling yet,

into it with all his heart.




Charles Cantrell, a retired English professor and power lifter, has published many poems in dozens of literary magazines, from Poetry Northwest and Southern Poetry Review to The Literary Review, MARGIE and others, He has new poems in Stoneboat, and The Hurricane Review, with others forthcoming in Green Hills Literary Lantern, Paterson Literary Review, Chiron Review, The Sow's Ear Poetry Review, The South Carolina Review, and others.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
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As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
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2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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