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we bury all our ghosts in the same place; hold your breath in any graveyard and whole cities will pass you, bee-lining to memorized names and dead flowers and hidden, rotting bodies. idling cars time-lapse on the lineless paths. this silence is ancient—you wail in the building, here you remember.

the day your teacher asks what your epitaph, your lineage, will be is the day you learn that in this world your death is the strongest thing you build.

get lost in a graveyard and cry for the name you don’t know. maybe someone will remember to pray a rosary for them. maybe your gnashing of teeth will leave bite marks in their grief, gums bleeding dry while spirits watch.

these sprawling meadows and flat stone testaments hide earth rich because here we tell ourselves death looks like peace and shifting light beams and decomposing memories stacked three shoulders high. if we bury our dead together, they’ll speak to each other instead of in our dreams. if we bury our ghosts in the same place, they’ll remember each other for us.

individual loss, communal burial.

how easy to think yours is the only body, forget every slab is someone’s last attempt to live forever. out of sight, out of memory, out of mind, out of body.

gravestones are finality, solidarity, attempt, statement, honor. gravestones are somewhere to look to avoid seeing the loose dirt screaming underground rot. gravestones are somewhere to look so you don’t lock eyes with someone else’s story trying to be told.

when i die, don’t let them bury me. if they bury me, dig me up, make it noon, make sure they see the fresh dirt on your hands resurrecting me. when i die, burn me in the middle of the meadow.

make my name a treasure hunt. blow me into a stranger’s funeral. if the only way to die is as a final word, drown my story in ghosts you’ve never seen before. make sure those trying to remember me trip over extra bones. let me die as i lived: gathering stories, suffocating in shouts, pulling you into something bigger than we were taught and longer than we know.

if you truly love me, let me visit you in your dreams—and let me bring friends.



Inseparable from their backpack and operating off a tentatively solid life plan, Hana is a 20-year- old, nearly-graduated college kid.  They believe in the power of good clickbait, regularly cry about mountains, and have the goal of cuddling a zebra shark.  They are white, able-bodied, and middle class.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
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