Size / / /

In the beginning was the forkhead

box P2 gene, bestowed upon

us by either seraphs or beasts

or the evolutionary equivalent thereof.

The Word as word, our muttersprache,

the one tongue we all clung to until

Babel, with its shrieking disharmonious tower.

The Word fractured then, like a crystalline

vase, and has been cracking and

splintering ever since.

(Later, hoping to resurrect the atavistic

syllables of the Word, as if simply dusting

them off from some semi-forgotten closet

in the brain, the Egyptian pharaoh Psammetichos

had children raised from birth in complete

silence. Alas, no angelic prattle was

enticed forth, only the low proto-speech

of idioglossia, as incomprehensible as dog

poems or the gossip of birds.)

Where once a single language prevailed,

now a hundred blazed;

then a hundred more, shaped in a crucible

of time and isolation, if almost always

debased and reinvented by each

new generation of speakers.

Since then, in terms of universality,

only the barbarous tongue of English

has perhaps attained a pre-Towerish

currency. No language police currently

moderate or enforce its grammar or

pronunciation, if I'm any judge. I hear

its mutability mostly in the popular culture

or my children's cellphone exchanges. Only

years later are the changes legitimatized

by inclusion in dictionary updates.

Thus the long polyglot echo out of Eden,

augmented and accented, as a stew is

spiced, continues its wayward exile, just

as it will follow us up and away from its

place of origin. No doubt my grandchildren,

adjusting perhaps for a Martian lisp

or Jovian diphthong, will hear further

variation and enhancement.

Even now the Word begins anew.




Robert Borski works for a consortium of elves repairing shoes in Stevens Point, Wisconsin. You can read more of his work in our archives.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
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As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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