Size / / /

While I have yet to pick my weapon of

ultimate dispatch—

the looped string attached to the doorknob;

the pliers;

the cannister of knockout gas

or anaesthetic syringe—

by the time my benefactor shows up

to claim her assortment of ivory

(you cannot see them now, but

gleaming with blood and spittle,

the last three of my incisors

lie beneath my pillow like miniature

tusks— the human equivalent

of an elephant's graveyard),

the only other thing I will have left

to decide is how I'm going to spend

the purse I intend to take from her.

See? In order to press my case,

I've already prepared

the restraints of floss, the fragrance

of which now permeates the air

like an abattoir of mint —

even as, like a snake a-sniff,

my tongue probes the semi-empty

sepulchre of my jaw.

Seconds later, feigning sleep, I

hear a noise.

Cautiously, readying the garrote

of floss, I risk a peek; and just

as expected,

with coins held tight like unrung

bells, in, on gossamer feet,

tiptoes my mother.




Robert Borski works for a consortium of elves repairing shoes in Stevens Point, Wisconsin. You can read more of his work in our archives.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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By: Lio Abendan
Podcast read by: Jenna Hanchey
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Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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By: Natasha King
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