Size / / /

        Lion: Look at the circles under my eyes. I haven't slept in weeks.

        Tin Woodsman: Why don't you try counting sheep?

        Lion: That doesn't do any good. I'm afraid of them.

The Wizard of Oz (1939)

Fearful of sheep? Baaa. Then again,

maybe it's not that crazy a notion,

for what more remorseless soldierly

beast is there than the sheep?

From their dirty flea-ridden wool

to their grass-stained teeth (you think

Agent Orange a potent herbicide?—

watch a legion of ovine, horn-headed

mercenaries field-strip a pasture);

the pale timorous bleating of their young

and clop-clop-clopping feet

so nicely turned out

in caligulae, or little black boots

(hup-two-three-four);

to the moist thunder of their rumen

and sticky caltraps of dung;

but most of all the sheer implacable

amount of them,

to say nothing of their patience

and discipline,

the entire endless uncounted lot

queued up all the way back to infinity

waiting for a simple turn to jump

over the barricade, the metric

of fence and insomnia—with no more

encouragement, reward, or slap of thanks

than the assignment of a mere number—

or even worse, a desultory round of snores.

What general, dreaming of animal reichs

or chancellorships still to come, would

knowingly look askance at such recruits?

What nation would not quiver seeing an army

of sheep on the horizon—no matter how

huge its reserve of mint jelly or love

of lamb chops?




Robert Borski works for a consortium of elves repairing shoes in Stevens Point, Wisconsin. You can read more of his work in our archives.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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