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Who was it that said human

beings never conceptualized

the notion of ghosts

until the first house with two

rooms was built? Freud?

Jung? I no longer remember.

And I'm skeptical of the theory

in general since all manner

of quasi-spooky threats

must have stalked, if not

the twilit bosks of Eden, with

its glib serpents and winged

shadows, then the savannahs

and caves of early Homo diasporus

especially at night. All it took

was imagination to flesh them

out and then collectively,

at the root-meme level, store them

for easy retrieval in some sulcus

of the tribal id.

Hormonally, I bet, it's this

constellation of neurons

that fires up in the crepuscular

murk of the back brain

whenever a strange noise

or glimmer manifests,

transmogrifying vague or inchoate

menace into a universal

Who goes there?

But no one goes there: it's just

neural chatter, the ghost meme,

ancestral shadows or footfalls

in the hallways of the brain.

Ergo, my rejection of the second

room theory—not that I've any plans

soon of giving up my single-room

apartment.




Robert Borski works for a consortium of elves repairing shoes in Stevens Point, Wisconsin. You can read more of his work in our archives.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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Podcast read by: Jenna Hanchey
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