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Tonight we drive to the city—in our absence, please negotiate a final settlement with the mole:
we will concede all territory from the driveway to the garage—but no more—and trust
this meets with his satisfaction. We have coped with his tunneling, despite the injunction;
endured his refusal to schedule daytime meetings; and so we rose, at midnight with flashlights,
for conferences in which he hid behind a bush, spoke through his intermediaries—
but I understand the mole must live and work in isolation, and cannot cease his digging,
for his claws are godly spades, and dirt his pleasing material. He knows dirt contains nutrients,
i.e., organic matter, and should not be confused with filth, and he perceives that dirt,
even mixed with broken teeth or spit or tears, remains malleable, and in dirt he can freely breathe,
re-oxygenate his air—in dirt the Holy Spirit blows through him, and behind him as he digs,
he creates mounds, and many are the mounds he has built for the glory of his God.
The mole, I know, is grateful for the velvety fur in which he slides through his tunnel,
for he is an earthworks artist who works in the ancient style and tradition of his clan,
and is vain only in the matter of his tail; he will twist his neck backward to admire it.
He is furious in his concentration, for his craft, he knows, is essential for the Earth to revolve
around the Sun, and when he works in one-pointed Samadhi, he neither eats nor sleeps.




Lisa Bellamy teaches at The Writers Studio. Her chapbook, Nectar, won the Encircle Publications Chapbook Contest. Her work has appeared in Tri-QuarterlyThe Sun, New Ohio Review, Calyx, and PANK, among other publications. She won the Fugue Poetry Prize and received honorable mention in Year's Best Fantasy and Horror 2007.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
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Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
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