Size / / /

Sometimes I wish I had detachable body parts.

My mouth I would leave locked in a box, wedged

between two bricks. Then, when my grandmother

asked what to give her cousin, a nun, I could not have said,

"Early edition of the bible. Signed by Jesus." My ears I'd tag,

then send on their own way. Perhaps ironed and slipped

between pages of library books. What has your own mouth

betrayed in the presence of Hemingway or October's

Popular Mechanic? My eyes I'll leave with my grandmother

as she is old and likely to stumble when no one is looking.

She can have my hands too. To open jars, diet coke cans,

and to smack her demon-spawn cat into next Tuesday.

"Love nips" my ass (Donated to charity, there's more

than enough to go around. Twice.). Toes to my cousin Bubba,

who has none on his left foot. May he grow accustomed

to cherry red nail polish. Other parts I'll pitch, or burn,

as lately I have read many stories of nefarious teeth.

And my nose I'll keep, for purely selfish reasons.




HelenaBell Helena Bell is a writer and tax accountant living in Chattanooga, TN. Her fiction has appeared in Lightspeed, Clarkesworld, and The Indiana Review. Instead of cats she collects graduate degrees and currently has MFAs in Fiction and Poetry as well as a JD, LLM, and MAC. You can find her at helbell.com.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
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2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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By: Natasha King
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