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Language in the town of Wyelle
is communally woven
by teams of spiders,
each one trained and selected for
a distinct word in the text.
Some words escape:
the corners of the cellars and the backs of cupboards
are full of senseless words,
and sacred texts spread into the wilds around
like an infection

In the forests outside Bairn,
torn by feuds and years-long fights,
trees record the spoken word,
stitch it into their trunks;
it takes three decades for the bark
to harden into legibility.
Among the feuding clans it's said
'Memory need not be perfect
only patient for the trees.'
When many speak at once
a grove will share transcription duties
as secretaries to the feuds

On the western shore of the Shawl Sea
writing is permitted only between tides
in the drying and dampening sand;
all words must be gone
by the high tide's turn
or be declared false, anathema.
Their texts are not lost,
so they claim,
for across the sea
the waves recreate each word
erased by the tides
an equal and opposite reaction;
whether the peoples of the coast
mean this literally or not
they will not say, but
in their spoken tales the sea
is often taken to mean death




Daniel Ausema is a writer and poet from Colorado. His poetry has previously appeared in Strange Horizons, and his fiction has appeared in many publications. He is also the creator of the steampunk-fantasy serial fiction project Spire City. He has a background in experiential education and is a stay-at-home dad.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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By: Lio Abendan
Podcast read by: Jenna Hanchey
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2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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By: Natasha King
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