Size / / /

after Op. 28, No. 13

This lake is, in part, us. It hoards our stones,
our faces after we have gone. This blue
reflection stains and ghosts its soft scales through
the dirt beneath our nails. We are but bones.

The boat, like grief or a collapsed lung, groans.
We call it our Chopin. We bend it to
our will with hands that shake. We throw a shoe
to hear the thud in different undertones.

Each note vibrates its emptiness. We hold
this fishnet to the moon—in doing so,
we find the holes that we were made to keep.

This music is a thread, a thirst, an old
belief destined to die the way we know
the lake is waiting to be put to sleep.




Arlene Ang's latest poetry collection, Banned for Life, was published by Misty Publications in 2014. Her poems have appeared in Caketrain, Diagram, Poetry Ireland, Poet Lore, Rattle, Salt Hill as well as Best of the Web 2008 and 2009 (Dzanc Books). She lives in Spinea, Italy.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
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As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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