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I teach you how to nick the skin between your fingers, worry the cut
open and blow on it with hot salty breath, and wait for slow joints to
grow from the slit. Your new fingers are especially skilled at pulling
up loose floorboards and playing with the tangle of my Spanish moss hair.

You used to have wings, but I nibbled them off long ago. You don't
begrudge it; now you are all limbs, the more to hold on to me with.
Your knees and elbows creak as I bend them this way and that, tenderly
so as not to break them. Your skin ripples with laughter at my manipulations.

I show you how to season a broth to perfection with dried compost and
twigs and pieces of oyster shells. Rhizomes of microscopic mushrooms
float on top as we bathe in it, thick steam tickling deep behind our eyes like pollen.

I teach you to break a walnut out of its shell in one perfect piece
and to swallow it whole. The conjoined twin brains of it make a home
deep in your gut, its filigree roots siphoning nutrients out of your
bloodstream as it waits for the perfect conditions to sprout.

Soon I will cut a piece from my body and hold it in place against your
raw flesh with bandages of vine leaves and training wire. When
synchronous buds emerge from both of our wounds, I will wonder if the
coming blooms will be of the same hue.




Layla Al-Bedawi is a poet, writer, and bookbinder (among other things). English is her third language, but she's been dreaming in it for years. Born in Germany to Kurdish and Ukrainian parents, she currently lives in Houston, TX, where she co-founded Fuente Collective and champions experimentation, collaboration, and hybridity in writing an other arts. Her work is published in Liminal Stories, Mithila Review, Bayou Magazine, Crab Fat Magazine, and elsewhere. Find her at laylaalbedawi.com and @frauleinlayla.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
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