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I have been drawing since I could hold a crayon and, during high school and early university, illustrated an independent comic book, "The Will to Power . . . and other neuroses," which served to hone my skills.  In high school I majored in Visual Arts in the Claude Watson Arts Program and graduated from the Illustration program at the Ontario College of Art and Design in 2003.  I primarily work in acrylic with collage—I find the unpredictable element involved in ripping up images into fragments of pattern and colour and then reassembling them into something new and beautiful endlessly fascinating and inspiring.  Most of my works could be loosely categorized as fantasy, although for the pieces nearest to my heart the closest description in my estimation would probably be "religious icons"—to the human form, since I don't subscribe to any particular religion.  I simply find the human form beautiful, especially the female, and I love lush textures, rich colours, and fine details, so I try to impart all those things into everything I create.

My work has been published in a variety of books and magazines, including Hero Games, Realms of Fantasy, and Strange Horizons.  I currently work in Toronto, Ontario as a freelance illustrator while pursuing various other creative interests, such as costuming, singing, and bellydancing; there are plenty of other skills I'd love to learn, but there just isn't enough time in the day.  I've also recently begun a small business making handmade jewellery along the same lines as much of my artwork—dark wire filigree punctuated by flashes of colour and light.

You can view more of Maral's artwork at sarcasm-hime.net, and she can be contacted by email at magpie.creations@gmail.com.

Tour Maral's work, piece by piece.

View thumbnails of Maral's work.





Maral Agnerian is a freelance illustrator and amateur costumer living in Toronto, Canada. She graduated from the Illustration program at the Ontario College of Art and Design and now spends her time painting, sewing, beading, and various other creative pursuits.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
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