Size / / /

"'And that is all,' said Dr. [Susan] Calvin, rising. 'I saw it from the beginning, when the poor robots couldn't speak, to the end, when they stand between mankind and destruction. I will see no more. My life is over.'"

—"The Evitable Conflict," from I, Robot, by Isaac Asimov

Isaac invented you in isolation:

no mother and no sisters, no girlfriends,

more symbol than personality. Everything was alien.

Robots were what went right,

followed the rules. Those that lied,

that hid, that reached inside your brain—

you squashed, unsparked, shut off.

What violence from loneliness.

And Isaac gave you center stage.

Did you represent the women of his future?

Your devotion to mathematics and the three laws

of robotics prohibit romance and biology.

Where did he see the horde born from

who spanned his galaxy? Written out

of the story, what women would agree

to bear the margin's tedium from now

until machines might save us all?

Narrator, protagonist, soliloquizing

your brilliance to the audience,

your actions had the option to speak

what dialogue could never leave your mouth.

You trusted the unknown, the Other,

you laid down calmly on the tracks

and called out, singing, to the train.

Don't save me. Let the wild metal men

kidnap me, blow up my trappings of humanity.

Why would they take you in?

Like any other ape, you couldn't meet

the membership requirements.

Don't injure other people. Pay attention

to the words of those wiser than yourself.

Be true. Woman in a man's world

just like you, yet I refuse to choose destruction

of my own deep unknown, the human mystery.

I can hear the whistle blowing. Stand up.

Or I will pull you out with my own warm hand.




Mary Alexandra Agner writes of dead women, telescopes, and secrets. Her poetry, stories, and nonfiction have appeared in The Cascadia Subduction ZoneShenandoah, and Sky & Telescope, respectively. She can be found online at http://www.pantoum.org.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
Load More