Size / / /

The Earthmen come to my bedside

because I am the last

and there is no one else

to dance and sing for me.

It is so right, the sound,

the intonation, the grief

in their chanting, I forget—

almost—that I taught them

each to speak their alphabets,

the once and ancient way

we have done everything.

There are no children of my blood

because I have failed under the eye

of history to make a family

with another fullblood,

the wrong desires, wrong genes.

The children of my breath sing

and sing as though we had not gone

before them, as if tomorrow

there would still be beauty

in the islands to sing about.

Of course: the beach at Tuara,

the snow of Kek Auna, always

the surf against the rocks,

always the royalty out dancing.

The land has made us what we are.

Islands empty of us,

do my people still remain

in the slow-limbed, short-throated,

cold bodies who traveled here from Earth?




Mary Alexandra Agner writes of dead women, telescopes, and secrets. Her poetry, stories, and nonfiction have appeared in The Cascadia Subduction ZoneShenandoah, and Sky & Telescope, respectively. She can be found online at http://www.pantoum.org.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
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2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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By: Natasha King
Podcast read by: Jenna Hanchey
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