Size / / /

Content warning:


Seven years I beg men in white
to make a clock of my insides,
to build for me a patient body,
a human one
with moonflowers for eyes.
The doctors say
rage is not a flower.
They tell me to eat
soft and bland for healing.

So I suckle honeysuckle sap
for pleasure and steam sunset
marigolds for distraction
as the sleepless itch for power
swells beyond my belly button.

I sob when my skin first begins
to sting and brittle. My fine baby hairs
sharpen to needle horns while I call
sing and plead, staring
through dull hospital glass
at the bloody hyacinths
bursting across the street. Please,
I would rather bear fruit
than fire.
But my salt calls no army.
I am an echo in a cave.

Flaming intestine sprouts
from my belly, flares to fierce wing.
My screams carry organ pipes
to the desert and birth fields of wild red
milkweed in the open mouths of dunes.
Rage leathers my guts to mottled scale.
I burn everything I touch
and myself, to shriveling pitless cherry.
Reborn in brimstone, my golden
glinting lizard hide straddles the canal
and I hunger for bloom. Cloaked
in silken gowns, heavy beneath
heady magics, the men chant
as a chorus back to me:
no, no, no.



Liz is a gutless wonder—a poet without a large intestine, trying to write gut-punching poems. She received her B.A. in English from the University of Alabama in 2016. Currently, she serves as the Managing Editor of The McNeese Review, and organizes MSU’s graduate reading series. She is the first place recipient of the 2019 Joy Scantlebury Poetry Prize, and her poems have been selected as finalists for Jabberwock Review’s 2019 Nancy D. Hargrove Editors’ Prize in Poetry and F(r)iction’s Winter 2018 Poetry Contest, judged by Kwame Dawes. She lives in Lake Charles, Louisiana, with her (very cute) dog, Rocky.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
Load More