Size / / /

The rocking horse dreams of riding the carousel; the carousel horse would

like to escape but has nightmares about being set free from music and dizzying

excitement, left to move back and forth, back and forth, in a merely mechanical

jog, as monotonous as the sea swaying back and forth, depositing on and licking

salt from the pilings separating earth from sea that support everything, balancing

change and constancy. You come to a crossroads on your horse of a different color,

look at the signs. This way lies madness; that way, sadness, some other way,

gladness; it's all very hypothetical. (And, possibly, even medical.) You could look

to the moon for advice, but its crystal ball, buoyed by all the vacuum it's swallowed

to get here, goes where the water tells it to, a Japanese glass float riding the

waves without comment.




Duane Ackerson's poetry has appeared in Rolling Stone, Yankee, Prairie Schooner, The Magazine of Speculative Poetry, Cloudbank, alba, Starline, Dreams & Nightmares, and several hundred other places. He has won two Rhysling awards and a grant from the National Endowment for the Arts. He lives in Salem, Oregon. You can find more of his work in our archives.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
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