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When the seafoam of your garment brushed
my bare skin for the first time, I knew
that I’m blessed,
that nobody dear will leave me,
that nothing is lost. The ghost of you
startling and tattered, often berating:
a comforting companion. The quince trees
listen, even if you don’t;
trees listen deeply.

Later, on your destroyed hill
among the wind-felled bodies of my quince trees, I knew
the taste of that ending; no new ghosts rising
from the still-green boughs.
My land, a spent syllable.
My hand, an unformed word
clutching, clutching air.

You are the one I could cradle to my chest,
the exhalation of you, still sputtering
grievances of a thousand years’ past, and I was glad
that you could still be bitter. I know

that we are whispered into this new land,
this old land, whispered anew,
a land which did not need us, or anyone,
delivered by its own desolation,
rejected and rejecting, but still
it let us come here, grudgingly,

gesturing the long, slow words of its rule.
On more than one condition—but one of them, you:
your death, your endless complaints
beyond all disasters—all you.
Not quite dissolving, never ending,
prepared for nothing good, and yet

replanted. And I will tend to you
beyond my own death, if I need to,
into a tree of your own self, retelling
yourself, and me with you,
through all the cycles of land,
until once again
we are ready to bloom.



R.B. Lemberg (they/them) is a queer, bigender immigrant from Ukraine to the US. R.B. is an author of six books of speculative fiction and poetry, an academic, and a translator from Ukrainian and Russian. R.B.'s latest novella Yoke of Stars (Tachyon, 2024) won the 2025 World Fantasy Award. Their other work has been shortlisted for the Le Guin Prize for Fiction, Nebula, Locus, Ignyte, Crawford, and other awards. You can find R.B. on Bluesky at @rblemberg.bsky.social, Patreon at https://www.patreon.com/rblemberg, and at their website: rblemberg.net.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
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