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1Not ivory towers, but towers that telescope,
each climbing step an irregular height.
This, the poem editor’s envelope,
with pigeon holes where messages alight.

(of course birds! every poem is about birds!)

2But what shape each letter, how tall or wide?
What purpose expressed, and to what effect?
Diff’rence has value, too much to elide:
Reading texts closely is to show respect.

(“Even negative readings!” cry critics.)

3Through countless years and countless requests
our generous community shines on:
the fuel that propels our rocket best,
imagination our north star at dawn.

(What we achieved here together is vast.)

4Swimming in the sea of story.
Call-and-response currents. Proseships drift on the tide.
From the whale-roads come heart-storms, come worldpools, come strange solar winds,
breaking dams, breaking walls.

5Thank you for submitting.
We’re pleased to appreciate the chance
to accept your story, read your work, wish you the best.
Our current schedule has this running forever in time.

(But that could change—though we hope it never does.)

6I return to the mycogenic mines
to excavate mycelial verses,
seeking genius in the spor(e)-adic lines
that describe ’shroom doom, cordyceps curses.

(Help! The Kingdom Fungi rules the slush pile!)

1. Romie Stott, poetry editor and management, Texan accent. Buy Romie’s new horror novel, Nothing in the Basement!
2. Dan Hartland, reviews editor. Listen to Dan’s latest album, Haywire!
3. Kate Cowan, development and fundraising. Kate thinks you should check out the Prisoners Literature Project!
4. Hebe Stanton, fiction editor, form-breaker. Read Hebe’s blog, The English Student!
5. Aigner Loren Wilson, fiction editor. Read her horror novella, Twilight Children, free to read through her newsletter!
6. Lisa M. Bradley, poetry editor. Buy Lisa’s science fiction novel, Exile!

If you would like to add to the mythology, post your own verse on social media! Write four lines with an ABAB rhyme structure and 10 syllables per line, followed by a non-rhyming one-line parenthetical annotation that is also 10 syllables. Or make your own rules.



We contain at least one multitude.
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
Friday: When Among Crows and To Clutch a Razor by Veronica Roth 
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Issue 23 Feb 2026
Issue 16 Feb 2026
Issue 9 Feb 2026
Issue 2 Feb 2026
By: Natasha King
Podcast read by: Jenna Hanchey
Issue 26 Jan 2026
Issue 19 Jan 2026
Issue 12 Jan 2026
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