AJ Odasso</a>'s poetry, nonfiction, and short stories have appeared in an eclectic variety of magazines and anthologies since 2005. AJ’s début collection, <i>Lost Books </i>(<a href=https://strangehorizons.com/wordpress/author/adrienne-j-odasso-romie-stott-and-sonya-taaffe/"https://twitter.com/flippedeye">Flipped Eye Publishing</a>), was nominated for the 2010 London New Poetry Award and was also a finalist for the 2010/2011 People’s Book Prize. Their second collection with Flipped Eye, <i>The Dishonesty of Dreams</i>, was released in 2014.  Their third-collection manuscript, <i>Things Being What They Are</i>, an earlier version of <i>The Sting of It</i>, was shortlisted for the 2017 Sexton Prize.  <i>The Sting of It </i>was published by <a href=https://strangehorizons.com/wordpress/author/adrienne-j-odasso-romie-stott-and-sonya-taaffe/"https://twitter.com/tolsunbooks">Tolsun Books</a> and won Best LGBT Book in the 2019 New Mexico/Arizona Book Awards.  AJ holds an M.F.A. in Creative Writing from Boston University.  They teach at Central New Mexico Community College and the University of New Mexico.  They have served in the Poetry Department at <i>Strange Horizons</i> magazine since 2012. Romie is a filmmaker and closed captioner. Her poems have appeared in <em>inkscrawl, Dreams&Nightmares, Polu Texni, </em>and <em>Liminality</em>, but she is better known for her essays in <em>The Toast</em> and <em>Atlas Obscura, </em>and a microfiction project called <a href=https://strangehorizons.com/wordpress/author/adrienne-j-odasso-romie-stott-and-sonya-taaffe/"http://postorbital.tumblr.com/">postorbital. She has been a guest artist of the National Gallery (London), the Institute of Contemporary Art, and the Dallas Museum of Art. You can find her fairly complete bibliography <a href=https://strangehorizons.com/wordpress/author/adrienne-j-odasso-romie-stott-and-sonya-taaffe/"http://romiesays.tumblr.com/biobib">here. Sonya's short fiction and poetry can be found in the collections <em>Ghost Signs</em> (Aqueduct Press), <em>A Mayse-Bikhl</em> (Papaveria Press), <em>Postcards from the Province of Hyphens</em> (Prime Books), and <em>Singing Innocence and Experience</em> (Prime Books), and in various anthologies including <em>The Humanity of Monsters</em>, <em>Genius Loci: Tales of the Spirit of Place</em>, and <em>Dreams from the Witch House: Female Voices of Lovecraftian Horror</em>. She holds master's degrees in Classics from Brandeis and Yale and once named a Kuiper belt object. She lives in Somerville with her husband and two cats." />
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AJ Odasso's poetry, nonfiction, and short stories have appeared in an eclectic variety of magazines and anthologies since 2005. AJ’s début collection, Lost Books (Flipped Eye Publishing), was nominated for the 2010 London New Poetry Award and was also a finalist for the 2010/2011 People’s Book Prize. Their second collection with Flipped Eye, The Dishonesty of Dreams, was released in 2014.  Their third-collection manuscript, Things Being What They Are, an earlier version of The Sting of It, was shortlisted for the 2017 Sexton Prize.  The Sting of It was published by Tolsun Books and won Best LGBT Book in the 2019 New Mexico/Arizona Book Awards.  AJ holds an M.F.A. in Creative Writing from Boston University.  They teach at Central New Mexico Community College and the University of New Mexico.  They have served in the Poetry Department at Strange Horizons magazine since 2012.

Romie is a filmmaker and closed captioner. Her poems have appeared in inkscrawl, Dreams&Nightmares, Polu Texni, and Liminality, but she is better known for her essays in The Toast and Atlas Obscura, and a microfiction project called postorbital. She has been a guest artist of the National Gallery (London), the Institute of Contemporary Art, and the Dallas Museum of Art. You can find her fairly complete bibliography here.

Sonya's short fiction and poetry can be found in the collections Ghost Signs (Aqueduct Press), A Mayse-Bikhl (Papaveria Press), Postcards from the Province of Hyphens (Prime Books), and Singing Innocence and Experience (Prime Books), and in various anthologies including The Humanity of Monsters, Genius Loci: Tales of the Spirit of Place, and Dreams from the Witch House: Female Voices of Lovecraftian Horror. She holds master's degrees in Classics from Brandeis and Yale and once named a Kuiper belt object. She lives in Somerville with her husband and two cats.


AJ Odasso, Romie Stott, and Sonya Taaffe in our archives
Current Issue
16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
A ruffling of branches as they resettle for the night. We dare not ask why they are here.
Spec Fic and the Politics of Identity 
As part of a collective of African writers who have created an Afrocentric Sauútiverse of five planets, two suns and a spirit moon, a world of science and fantasy, where there is no written language, we play with technology and sound magic to scrutinise the world as we know it, and use speculative fiction as a response to our world. 
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Podcast read by: Jenna Hanchey
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