Above the Clearwater: Living on Stolen Land</a></cite>, was a finalist for both the 2004 Oregon Book Award and the 2005 WILLA Award (Women Writing the West) in creative nonfiction. A poetry chapbook, <cite>After Fire</cite>, was published by Puddinghouse in 2002; Triplopia nominated her poem "Tending Adobe" for a Pushcart Prize. Her essays, poems, and stories have appeared in <cite>Oregon Humanities</cite>, <cite>Fourth Genre</cite>, <cite>Prairie Schooner</cite>, <cite>Northwest Review</cite>, <cite>Natural Bridge</cite>, and other journals. She was a 1994 Fishtrap Fellow." />
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Bette Lynch Husted's collection of memoir essays, Above the Clearwater: Living on Stolen Land, was a finalist for both the 2004 Oregon Book Award and the 2005 WILLA Award (Women Writing the West) in creative nonfiction. A poetry chapbook, After Fire, was published by Puddinghouse in 2002; Triplopia nominated her poem "Tending Adobe" for a Pushcart Prize. Her essays, poems, and stories have appeared in Oregon Humanities, Fourth Genre, Prairie Schooner, Northwest Review, Natural Bridge, and other journals. She was a 1994 Fishtrap Fellow.


Bette Lynch Husted in our archives
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16 Mar 2026

The garden is the resting place of your vulnerabilities; there’s a reason you’ve left them here instead of carrying them with you. Typically you enter hardened and hurried, beelining straight for the correct plot and quickly releasing whatever is clutched in your hand without a second thought—today, an attempted weaving of leather and lace, strength and suppleness that your body cannot figure out how to wear, nor your words to narrate.
If you say there are rats, I will believe you, though I don’t hear or see them.
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